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SONY
MODEL:DMX-R100

SOFTWARE VERSION 2.22
For high end project studios and small professional studios, the Sony R100 Digital console offers some of the finest digital mixing available in the industry at a remarkably good price. The R100 offers features full automation, as well as Sony's acclaimed digital EQ and compression on every channel. The quality of the built in a/d and d/a converters are also especially noteworthy when compared to that of the competition.
FEATURES:
10 BIT RESOLUTION, TOUCH-SENSITIVE MOTORIZED FADERS 10-BIT RESOLUTION, TOUCH-SENSITIVE MOTORIZED FADERS: PROVIDE PRECISE AND EASY-TO-USE TOUCH-WRITE PUNCH-IN/PUNCH OUT DYNAMIC AUTOMATION CAPABILITY; SVGA TOUCH SCREEN SVGA TOUCH SCREEN: ALLOWS EASY NAVIGATION OF ALL CONSOLE FUNCTIONS, WITH A HIGH-RESOLUTION GRAPHICAL USER INTERFACE; CHANNEL FUNCTION CONTROLS CHANNEL FUNCTION CONTROLS: CHANNEL STRIP CONTROLS HAVE INDIVIDUAL KNOBS AND SWITCHES ON THE CONTROL SURFACE WITH FULL STATUS INDICATION FOR EACH PARAMETER ON THE COLOR SVGA DISPLAY LOCATED DIRECTLY ABOVE THE CHANNEL CONTROLS; MACHINE CONTROL INTERFACE MACHINE CONTROL INTERFACE: PROVIDES TRANSPORT CONTROL FOR UP TO SIX MACHINES, INCLUDING TWO 9-PIN CONTROL PORTS, PLUS SUPPORT OF MMC (MIDI MACHINE CONTROL); BUILT-IN MATRIX SWITCHER BUILT-IN MATRIX SWITCHER ALLOWS TOTAL ROUTING FLEXIBILITY AND COMPLETE 5.1 SURROUND CAPABILITY COMPLETE 5.1 SURROUND CAPABILITY: PROVIDES TOUCH SURROUND PANNING (ON THE SVGA TOUCH SCREEN) WITH BUILT-IN SURROUND MONITORING.
SPECS:
Digital Inputs AUX RETURN: 4 ch, AES/EBU, XLR-3-31 type (x 2)
Digital Outputs PGM OUT: 2 ch (stereo), AES/EBU, XLR-3-32 type (x 1) Analogue Inputs Analog IN-A 12 ch, +24 dBu max., 4.7 k?, balanced,XLR-3-31 type (x 12) Analogue Outputs
PGM OUT: 1/4" TRS jack and XLR-3-32 +4 dBu (+24 dBu max.), 10 k? load, output impedance 150? , balanced Analogue Insertion Signal INSERTION (SEND/RETURN): unbalanced, 1/4" TRS jack (x 12) 12 ch, 0 dBu (+20 dBu max.), 10 k? load, input impedance: 10 k?, output impedance: 150 ?, Control Signal Inputs/Outputs Word Sync IN/OUT Duty 50 %, TTL Compatible, 75 ?, BNC (x 1, each) Signal Processing Characteristics Signal Processing 32/40-bit floating point Equalizer High Frequency (Peak/Shelf) 1 Fs : 622 Hz to 19.9 kHz (61 points) Filters High Cut Filter 1.48 kHz to 22.35 kHz (48 points), Dynamics Compressor/Ducking Oscillator Frequency 20 Hz to 20 kHz (28 points), 32 Signal level meters 20 segment LED Automation Title Configuration Snapshot Automation Contents Input routing, delay, phase, triming, input mode, filter, equalizer, dynamics, pan, assign, cut, fader, AUX Dynamic Automation Contents Filter, equalizer, dynamics, pan, assign, cut, fader, AUX Fader Resolution 10-bit (1024 steps) Audio Frequency Response LINE IN to PGM OUT 20 Hz to 20 kHz, 0.2 dB (typical) Total Harmonic Distortion LINE IN to PGM OUT 0.01%, at +4 dBs, 1 kHz (typical) Noise Level LINE IN -104 dBu, 600 terminated (-80 dB , 4 dB standard) (typical) Crosstalk Between Input and Output Channels 90 dB at 1 kHz Dynamic Range LINE IN to PGM OUT 104 dB A/D Converter 24-bit, x 128 oversampling D/A Converter 24-bit, x 128 oversampling Total Delay 2.5 ms (between LINE IN and PGM OUT), Fs = 48 kHz General Power Requirements AC 100 V (J), 120 V (UC), 240 V (CE), 50/60 Hz |